So, I’ve been messing around with this song a little bit lately and actually came up with a version that I thought y’all might or might not enjoy. In any case, it entertained me to no end to cover Johnny Cash. So, without further ado, here is
So, I was going to drop this in the circular file, but Bunne convinced me that the world might appreciate this particular type of screwed-up-ness. So here you go:
Bunne described this as “This evokes not so much the cynicism of the original as it watches a soon to be bygone era fade from the cultural radar screen, as it does a melancholy for an era that may have never been, It’s a parsing of a paint by numbers approach to nostalgia we have come to view as fact and it sort of dismantles it’s premise with a sense of grasping for something that may have not ever actually been. It’s an dour anthem for the people who tend to fall through the cracks of the “cool scene” and I like the arrangement a lot.“.
For me, the funniest part is how you keep expecting the solo to end, but it doesn’t, instead jumping to even more absurd levels of Sheerishness – by the end it might even be bordering on Mozart’s “Too Many Notes”.
Another of my movie-soundtrack compositions – this one is really more a sketch than anything, but I liked it so I thought I’d share it with the class.
Just because I haven’t posted anything in a very long time, I thought I’d record something to let you all know I’m still recording over here.
Still working on the album. In the meantime, here’s something that will *not* be on the album and which might or might not suck 🙂
I’ve wanted for a while to do a song in the style of Def Leppard, Pink Floyd, and many others, where the words don’t really mean anything but seem like they should, and so the listener fills in part of the meaning and the song becomes as much about the listener as the original artist.
So, here’s a first attempt – I have a feeling I will be doing this type of thing again later in my career. I present, without further ado:
Bunne provided some assistance with mixdown – and may be presenting his own mix of the song – but otherwise, this is all me.
Note this later appeared on Believing Is Seeing.
Here’s for anyone who’s been pining for my movie-soundtrack stylings
So, our first musical post of 2018, a track I wrote when I was 17, orchestrated.
More movie/atmospheric stuff
Little blues – thank you Otis Redding..
So, I never met Chester. We had a lot of friends in common, for reasons that would take some explaining and probably aren’t worth going into here, and I am curious what he would have made of me if he had met me. But mostly, I feel a certain kinship to him, since we both have wrestled with some of the same demons. And thusly, I have written a song…
Godspeed and good luck, wherever you’re off to next.
Also available, Bunne’s remix: Chester, remixed by Bunne.